From Andy Crouch's "Culture Making"

It is no surprise to discover that two-thirds of American phlanthropy actually goes to institutions (whether museums, orchstras or churches) that primarily serve the rich--essentially, the wealthy underwriting their own cultural esperienes with the benefit of a tax deduction--or that the futililty of American urban life has given rise to misogynist, nihilistic forms of music that simply underwrites broken horizons of masculinity and femininity with the alleged credibility of "the street." It is also no surprise that most money is made on Wall Street providing financial services to people who already have extraordinary amounts of money, that most advertisements target a thin (literally and figuratively) slice of prosperous young people, and that much of the rich world's research into new medicines target the disorders that disproportionately affect the rich world. Nor is it a surprise that in the name of economic and political empowerment, dictators like Pol Pot and Robert Mugabe have expropriated allegedly ill-gotten wealth from cultural elites--yet in the end only further impoverished and imprisoned their own people. (p. 209-10)