The Challenge: “Bee Still” and “Ascension”
Several weeks ago (May 8) I issued a challenge to readers to
figure out the connection between my son Luke’s poem “Bee Still” and my poem “Ascension.” Several of you responded and one of you, my
boyhood friend John Rozeboom, got it mostly right.
If you read the last word of each line of my poem--in order--you will have Luke's poem. This device--placing the words of another poet's poem (or just a line from the poem) at the end of each line of your poem--is called a Golden Shovel--invented by a friend of the great Afro-American poet Gwendolyn Brooks. He asked friends and fellow poets to write a Golden Shovel poem to honor Brooks and got a whole book of Golden Shovel poems.
If you read the last word of each line of my poem--in order--you will have Luke's poem. This device--placing the words of another poet's poem (or just a line from the poem) at the end of each line of your poem--is called a Golden Shovel--invented by a friend of the great Afro-American poet Gwendolyn Brooks. He asked friends and fellow poets to write a Golden Shovel poem to honor Brooks and got a whole book of Golden Shovel poems.
Here's another Golden Shovel poem I wrote using the words of just the last line of another of Luke's poems and placing each one, in order, at the end of each line of my poem.
From "Where the Spokes Were Missing"
. . . I saw this. And some other night I'll see this late sky clean
and deep and seasoned with a million dancing stars, and I'll believe
the ancients, who said the universe was ribbed and spindled,
shot through with spokes ascending from earth to heaven and spinning.
And where the spokes were missing; there the light shone through.
Old
Songs, Almost Forgotten
I like to think they’re still back there
somewhere and
if I sing long enough
my mind can take me where
the music can still be
heard, a baseball card clothes-pinned to the
bicycle spokes,
the song going up the
scale, a happy whirr
as I went faster, then
dying as I slowed and stopped, missing
a measure before
passing the melody on to Mothers calling their children in for bed. There
is a sadness in their two-note
sing-song “John-ny, Da-vid,” the
heartache at the
sound, the porch light
cutting a lucent
circle on the stoop. Gradually the music
came
to an end, and in the
darkness only the stars shone through.
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